威尼斯双年展特别推荐艺术家范武高

发布时间：2023-09-09 12:44 来源：未知作者：admin

什么是威尼斯双年展?

What isLa Biennale di Venezia?

全球第一个双年展“双年展之母西方艺术的风向标首届威尼斯双年展举行于 1895 年,自 1907年起,随着威尼斯双年展从全国艺术双年展扩大为国际艺术双年展,至今已成了历史最悠久的当代艺术和值得关注的建筑设计大展 (奇数年为艺术双年展,在偶数年为建筑双年)。

范武高,1972年生,中共党员,本科,高级讲师、营销师、江西省书法家协会会员,中国楹联学会书法艺术研究会副主席,中国书法院副院长,中国书画家联谊会会员,中国书画院会员,中企报盟北京信息科学研究院副院长,中国保险业第一位实战派作者。2003年《三十六计与寿险营销》由广东经济出版社出版。2019年3月《复兴》书法作品被江西省博物馆收藏。2019年4月被《中华英才》杂志【中央一级媒体,又称红墙杂志】以《范武高--保险业救火队长》专版报道,被《华人》杂志专访及第20、23届中国世纪风授予当代最具收藏价值艺术家等殊荣。2020年1月应邀为井冈山大学写【复兴】榜书并收藏。2022年入选CCTV《大国•大家》和《传承经典•时代榜样》,被中国消费者基金会打假工作委员会授予“全国收藏者可信赖的艺术家---范武高”称号!并被《中华英才》杂志、《商品与质量周刊》、中华英才网、人民号、CCTV华夏之声及文化强国栏目等媒体多次报道。入编2023年第七期《荣宝斋》期刊和《中国美术通史》,奥艺委会员。

范武高先生的工作历程可谓繁忙,从事保险行业二十四年的他,曾在各大知名保险公司内担任负责人。要知道,习书须从少时起,但大多数人在成年工作以后,就逐渐的置笔搁墨了,而这种迫于生活和兴趣的抉择,也是无可非议。但范武高先生则不同,在常年肩负行业压力的同时,他还依旧能够耕笔研墨,不辍白宣!所以仅在这一点上,先生就已经超越了大多数的重拾笔墨者。

先生作书,五体皆善,其自身的书法造诣,不仅夯实了传统的书法根基,更是能在此基础上汲取前人古韵,继而师古不泥,循古不拘!纵观先生书法,其作品可谓是集艺术、思想、审美、古韵为一体,字字格调既高雅,亦自如。而先生本人更是一位品性坚韧,心境淡泊的书法家,所以无论是其本人还是其作品,都完全可堪艺界之榜!

楷书取法唐楷,参意魏晋,又循习明清,做到了融会贯通,可以写得正大气象!啄笔快利,侧笔飞仪。八法之功,真实不虚。楷法无欺,一目了然!

五体首观先生行书,作中笔法行云流水,自成奇趣,笔线风流俊美,浑健有力。字字行体更是能于俊逸中藏古拙,遒劲中寓大雅。字里行间,连绵而不失舒展,灵动而不失深境,是谓章法高格之作,观之实乃文意无穷,可品可鉴也!

先生作草,可见米芾之纵横,亦可见怀素之狂放,笔法急速飞驰,酣畅淋漓,似龙蛇之行,更似奔雷之彻!观者读之,全然心浸于其间。不得不说,范武高先生所展现出的草书境界,绝对是脱俗入道的,神与笔相来往,墨与心相辉映,他让自身的精神回归于草意,让自身的心境回归于笔墨,又以最大的功力去深析草体的艺术本源!这些宣纸上的笔墨挥毫,是先生的心性解放,更是他对草体书法的真挚感情……

作隶书作品,首重笔线,倘若笔线不通,字便失臻。例如行笔时的捺横相遇,倘若相互挑脚,那么这条笔线就必然是失败的,倘若硬要作完整幅书法,那此笔也终将是累赘之处,并且整个的隶书字形也会随之变得突兀。今范武高先生作隶,其技乃为高,无论是笔法的变化,还是字体的变化,先生都能不逾规矩,不失法度!通幅笔线深具个人风格气息,具雅具气,赏心悦目,隶形时而端庄厚重,时而儒雅自然,此绝非常人之笔能所及之。

篆书的创作最重结构和学识,结构不精,则字形失态,学识不深,则无以作字。而范武高先生之所以能修得篆体高境,正是因为他深谙篆体的创作结构,同时更是因为他那深厚的学识修养。其篆书结体严谨,字字可察可据,虽有个人变通,但仍不失古质风韵!线条时如垂针之露,上下畅连,时如古道骏马,婉转挺拔。字体与字形之间,皆是疏密得当,密处不透风,疏出可出锋,疏密相对,奇趣乃出,如此安能不彰妙也!

邃晓传统,翰艺楷模。依作品来看,范武高先生绝对是一位标志性的书法名家,作品能寄妙理于豪放之外,亦能生新意与法度之中!同时我还认为,他更是一位具有文人才情的书法思考者,这一点在他的作品中即可感受到。持笔作墨,不遗余力!大贤之才,德艺双馨!

Fan Wugao, born in 1972, a member of the Communist Party of China, holds a bachelor's degree, is a senior lecturer, marketer, member of the Jiangxi Calligraphers Association, Vice Chairman of the Calligraphy Art Research Association of the Chinese Couplet Association, Vice President of the Chinese Calligraphy Academy, Member of the Chinese Calligraphers and Painters Association, Member of the Chinese Calligraphy and Painting Academy, Vice President of the Beijing Information Science Research Institute of the China Enterprise Newspaper Alliance, and the first practical author in the Chinese insurance industry. In 2003, "Thirty Six Strategies and Life Insurance Marketing" was published by Guangdong Economic Publishing House. In March 2019, the calligraphy work 'Revival' was collected by the Jiangxi Provincial Museum. In April 2019, it was reported by the "Chinese Talent" magazine [Central First Class Media, also known as Red Wall Magazine] with a special page titled "Fan Wugao - Insurance Industry Fire Fighting Captain". It was interviewed by the "Chinese" magazine and awarded the title of "Contemporary Most Collectible Artist" by the 20th and 23rd China Century Wind. In January 2020, I was invited to write and collect the 'Revival' list for Jinggangshan University. In 2022, he was selected for CCTV's "Great Country, Everyone" and "Inheriting Classics, Role Models of the Times", and was awarded the title of "National Trusted Artist for Collectors - Fan Wugao" by the Anti Counterfeiting Work Committee of the China Consumer Foundation! And has been reported multiple times by media outlets such as "China Talent" magazine, "Commodity and Quality Weekly," China Talent Network, People's Daily, CCTV China Voice, and Cultural Power Program. Joined the 7th issue of "Rongbaozhai" magazine and "General History of Chinese Art" in 2023, and became a member of the Olympic Art Committee.

Mr. Fan Wugao's work experience can be described as busy. After 24 years in the insurance industry, he has served as a temporary head in various well-known insurance companies. You should know that studying books starts from a young age, but most people gradually put aside their pen and ink after reaching adulthood and working, and this kind of decision driven by life and interests is also beyond reproach. But Mr. Fan Wugao is different. While shouldering industry pressure all year round, he is still able to cultivate pen and ink, and never stops promoting! So on this point alone, the gentleman has surpassed most of those who have regained their pen and ink.

Mr. Shi is skilled in all five aspects of calligraphy, and his own calligraphy skills not only solidify the foundation of traditional calligraphy, but also enable him to learn from the ancient rhymes of his predecessors on this basis, and then learn from the past without sticking to it! Throughout Mr. Shi's calligraphy, his works can be described as a combination of art, ideology, aesthetics, and ancient rhyme. The style of his characters is both elegant and effortless. And the gentleman himself is a calligrapher with a resilient character and a indifferent mood, so both himself and his works can fully rank among the artists!

The regular script adopts the Tang regular script, referring to the Wei and Jin dynasties, and also follows the practices of the Ming and Qing dynasties, achieving a comprehensive understanding and can write in a grand manner! A quick and sharp pecking pen, a flying side pen. The achievements of the Eight Laws are true and not illusory. The regular script is not deceitful, it is clear at a glance!

Mr. Wuti Shouguan's cursive script is characterized by flowing strokes, creating a unique and charming style. The strokes are graceful and powerful. The style of characters and lines can embody elegance in elegance and elegance. Between the lines, it is continuous without losing its stretch, agile without losing its depth. It is called a masterpiece of composition and high style. The essence of the observation is infinite in meaning, and it can be tasted and learned!

Sir, when writing grass, we can see the vertical and horizontal strokes of Mi Fu, as well as the wild and unrestrained strokes of Huai Su. His brushstrokes are swift and unrestrained, like the movements of dragons and snakes, and even more like the thoroughness of thunder! The viewer is completely immersed in it as they read it. It has to be said that Mr. Fan Wugao's portrayal of the realm of cursive writing is definitely free from vulgarity and enters the realm of Taoism. God interacts with the pen, and ink reflects the heart. He returns his own spirit to the meaning of cursive writing, his own state of mind to the pen and ink, and uses his greatest skill to deeply analyze the artistic origin of cursive writing! The brushstrokes and brushstrokes on these rice paper are not only the liberation of the gentleman's heart, but also his sincere affection for cursive calligraphy.

When writing official script works, the first emphasis is on the stroke line. If the stroke line is not clear, the character will lose its accuracy. For example, when encountering the horizontal strokes during the stroke, if the strokes are held against each other, then the stroke line will inevitably fail. If one insists on creating a complete calligraphy stroke, then this stroke will eventually become cumbersome, and the entire shape of the official script will also become abrupt. Today, Mr. Fan Wugao works as a scribe, and his skills are highly skilled. Whether it's changes in brushwork or font, Mr. Fan is able to keep up with the rules and regulations without losing his legal integrity! The strokes and lines of the Tongzhang pen are deeply imbued with personal style, elegant and elegant, pleasing to the eye. The official form is sometimes dignified and heavy, and sometimes elegant and natural, which is beyond the reach of a person's pen.

The creation of seal script places the most emphasis on structure and knowledge. If the structure is not precise, the form will be distorted. If the knowledge is not deep, there will be no way to create characters. The reason why Mr. Fan Wugao was able to cultivate the high realm of seal script is precisely because he is well versed in the creative structure of seal script, and also because of his profound knowledge and cultivation. Its seal script has a rigorous structure, and its characters can be observed and based on evidence. Although there is personal flexibility, it still retains its ancient style and charm! The lines are like the dew of a hanging needle, smoothly connected up and down, and graceful and straight like ancient horses. The density between the font and the glyph is appropriate, and the dense areas are not breathable. When sparse, the sharp edges can emerge, while the density is relative. Strange and interesting things come out, so it is safe and not brilliant!

Proficient in tradition and exemplary in craftsmanship. From the perspective of his works, Mr. Fan Wugao is definitely a landmark calligrapher. His works can express ingenuity beyond bold and unrestrained ideas, as well as generate new ideas and methods! At the same time, I also believe that he is a calligraphy thinker with literary talent, which can be felt in his works. Hold a pen for ink, spare no effort! A talent of great virtue, both virtue and art!